Natalie PÉREZ soprano (Francia, 1988) Natasha SCHNUR soprano (Alemania, 1991) Eva ZAÏCIK mezzosoprano (Francia, 1987) James WAY tenor (Gran Bretaña, 1992) Josep-Ramon OLIVÉ barítono (España, 1988) Padraic ROWAN bajo-barítono (Irlanda, 1990)
El misterio de la música
Matthew Locke (?1621-1677)
“Curtain tune” (The Tempest, Acto I, 1674)
Orlando Gibbons (1583-1625)
The Cryes of London (parte 1)
George Frideric Haendel (1685-1759)
O the pleasure of the plains (Acis and Galatea, HWV 49, 1718)
Henry Purcell (1659-1695)
If music be the food of love, Z.379c
Thomas Tomkins (1572-1656)
Music divine (Songs of 3. 4. 5. and 6. parts, 1622)
Thomas Augustin Arne (1710-1778)
Catch: The Singing Club (Do, Re, Mi, Fa)
G.F. Haendel
Sharp Violins proclaim ('From harmony, from heav’nly harmony', Ode for St Cecilia’s Day HWV 76, 1739)
H. Purcell
Strike the viol, touch the lute ('Come, ye sons of Art, away' Birthday song for Queen Mary, April 30th, 1694, Z.323)
H. Purcell
Catch: Of all the instruments that are, Z.263
Wondrous Machine (Hail, bright Cecilia - Ode on St Cecilia’s Day 1692, Z.328)
G.F. Haendel
The soft complaining Flute ('From harmony, from heav’nly harmony', Ode for St Cecilia’s HWV 76, 1739)
T.A. Arne
Dúo y Coro: Now all the air shall ring (The Fairy Prince, 1771)
"Un noche de placeres"
G.F. Haendel
Oh let the merry bells ring round (L’Allegro, il Penseroso ed il Moderato, HWV 55, 1740)
H. Purcell
Air: See, even Night herself is here (The Fairy Queen, Z.629, 1693)
John Ward (1589-1638)
Come sable night (The first set of English madrigals to 3. 4. 5. and 6. parts apt both for viols and voyces, with a mourning song in memory of Prince Henry, 1613)
H. Purcell
One charming night (The Fairy Queen, Z.629, 1693)
In these delightful pleasant groves (The Libertine, or the Libertine destroyed, Z.600, 1695)
John Dowland (1553-1626)
Welcome, blacke night (A Pilgrimes Solace, 1612)
H. Purcell
Air: Hence with your trifling deity (Timon of Athens, the Man-Hater, Z.632, 1694?)
Trio: But over us no griefs prevail (Timon of Athens, the Man-Hater, Z.632, 1694?)
Dúo: Make room for the great god (The Prophetess, or The History of Dioclesian, Z 627, 1690)
Trío y Coro: I'm here with my jolly crew (The Prophetess, or The History of Dioclesian, Z 627, 1690)
Dance of Bacchanals (The Prophetess, or The History of Dioclesian, Z.627, 1690)
Bacchus is a pow’r divine, Z.360
Catch: 'Tis women makes us love, Z.281
Fairest Isle (King Arthur, or The British Worthy, Z.628, 1691)
Fairest Isle (Song in King Arthur. Arrangement by William Hayes, 1765)
J. Dowland
Cease these false sports (A Pilgrimes Solace, 1612)
G.F. Haendel
As with rosy steps the morn (Theodora, HWV 68, 1750)
As steals the morn upon the night (L’Allegro, il Penseroso ed il Moderato, HWV 55, 1740)
H. Purcell
Now the night is chas'd away (The Fairy Queen, Z.629, 1692)
O. Gibbons
The Cryes of London (parte 2)
